In fact, there are a ton of masking options, something for every conceivable operation you may need to perform.įirstly it handles Fuji raw files with ease, avoiding so called artefact issues that allegedly plague some software.

There are also the parametric masks, which give you instant and full control over the areas you want with the tweak of some sliders (very much like colour or luminosity masks, but more advanced).

Being able to curve the gradient line is something so simple, yet missing from every other editing package. Darktable 3.4 has a wealth of options, many more than Lightroom offers for total control over the processing of your images.ĭarktable has some very powerful and unique features for masking, which once used, you’ll wonder how you managed without them. In the editing portion of Darktable you can of course start the process of non-destructive editing. However you’ll have none of that importing inconvenience of Lightroom, as you can point directly to the directory your images are stored, or even just edit single images very simply. It offers a full library/Lighttable organisation section which allows you to view and tag multiple images, arrange them by various forms of ranking and much more, on a similar way to Lightroom. Think of Darktable as Lightroom, but on steroids. However, things couldn’t be further from the truth, as Darktable isn’t only amazingly powerful, but has a lot of useful features, especially (but not exclusively) for Fujifilm users.īefore we delve into what Darktable offers Fujifilm camera users, you need to know what Darktable offers in the way of it’s general features. Many people would have heard of it, but presume because it is free, it is no good or not suitable.

There’s an editing package that stands head and shoulders amongst the paid for and subscription editing package services out there, and it’s called Darktable.

Setting darktable presets